1830 Stauffer Terz. Guitar Database.

Stauffer | Terz| 1830 | Our database no:1

Guitar Database


1830 Stauffer Terz guitar.

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Luthier Facts :
Name: Stauffer
Location: Vienna Austria

Taking Orders?: No longer in business
Note: (RIYL) Recommended If You Like

  • Model: Legani
  • Year: 1830-40
  • Top:  Spruce
  • Back and sides: Birdseye Maple
  • Neck: Veneered in ebony and ivory
  • Nut Width: 43mm
  • String Spacing:
    String spacing at nut 7.75 (except between 1st & 2nd = 7.25)
    Total string Spacing at Saddle 57.5 (middle of 6th string to middle of 1st string)
    String spacing at saddle 11.5 (except between 1st & 2nd = 12)
  • Tuning: Pitch range up to high D actually (F).
  • Scale:560mm
  • Body Length: 393mm
  • Lower Bout: 291mm
  • Upper Bout: 228mm
  • Body Depth: 62mm, 81mm
  • Bridge: Ebony
  • Binding: Rosewood
  • Rosette: Ring
  • Excellent Condition, all original

1830 Stauffer Terz guitar.



Here is a wonderful example of an early Stauffer terz. The ornate aesthetic reflects it’s date of maufacture: 1830’s. Stauffers are actually known mostly for the fact C.F. Martin claimed to have worked at this workshop!

1830 Stauffer Terz guitar.

I’ll leave the background to the current owner James Westbrook who has this to say:”This is a Legnani model Stauffer guitar. C.F. Martin on his very first guitars announced that he was a pupil of Staufer of Vienna. Stauffer was one of the most highly respected makers of the 19th century, and Martin used this fact to gain his reputation in his early NY days. There were a few Stauffer makers (sometimes spelt Stauffer); J.G. Stauffer, J.A. Stauffer, then the Stauffer company. It has never never been properly established exactly what training Martin received from which Stauffer. As with early Martin guitars the neck is adjustable via a clock key. Having a string length of just 560mm, this guitar is a terz model, i.e. smaller and tuned a minor third higher that the regular guitar of the day. There are 22 frets and thus a high F is obtainable. The famous composer/player Legnani endorced Stauffer’s guitars and mightly Giuliani wrote a concerto for terz guitar. This example has a Spruce soundboard, birds-eye maple back and sides and a chekered ebony and ivory neck. The six a side ‘fender’ tuners seem to first appear in the first half of the 19th century. “


1830 Stauffer Terz guitar.


Guitar Database

References: Martin Guitars, a History by Mike Longworth.

Pictures kind courtesy of James Westbrook, The Guitar Museum, England (www.theguitarmuseum.com)
©2009

Errors are unintentional although we try very hard not to make them- corrections or feedback are always welcome! Guitars are property of individual owners.
Any infringement of copyright is entirely unintentional. Any copyright issues should be address to: writers@guitarbench.com. We will attempt to resolve these issues quickly. Guitars remain property of respective owners.

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3 comments to 1830 Stauffer Terz. Guitar Database.

  • Clifford J. Lueck

    Good evening: I too have a similiar guitar made by Karl August Glaesel in 1860 who apprenticed in Vienna with I assume the only guitar maker available in Vienna at the time, Johann George Stauffer. I have since been able to obtain history on Karl August Glaesel who was born 9 years after C.F. Martin in Marknuekirchen (Saxony) Germany, apprenticed in Vienna, and was Master Superior of the violin Guild of Markneukiechen in 1852.He died in 1864, or four years after my guitar was made. My instrument has brazilian rosewood on the back and sides, a mahogany neck, ebony fingerboard and bridge, hand carved Ivory bridge pins (five original) a spruce top, un-original tuners, a flying fingerboard with the clock key mechanisim, and plays and sounds like brand new. I am still working on who actually apprenticed with Stauffer and if Glaesel did indeed apprentice with Stauffer as it all seems to point to Stauffer. With that said, I also believe there is a “Martin” mafia out there to discredit anyone else who may have apprenticed with Stauffer so as to make C.F. Martin (the original) the only one who knew how to make guitars in the Viennese/Legnani/Romantic/Clock Key fashion.

  • Hi clifford,

    Thank you for sharing your guitar with us. I was wondering if you might like to share some photos and specs with us? I would be thrilled to feature it on the website!

  • I also own a Karl August Glaesel guitar. Actually, James Westbrook has one as well (if he still owns it). Mine has a very unique body shape – Terence if you give me instructions I’ll send a couple photos of it. The information I have places Glaesel as the Superior Master in 1850-51. I came across a German luthier who dug up some information for me. He is affiliated with the museum in Markneukirchen Germany.

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