Martin | 0-28 | 1910 | Serial:11039
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Luthier Facts :
Name: Martin
Location: Nazereth, PA
Wait list: Sockists Worldwide
Taking Orders?: Yes, standard & customs
RIYL: Martin have set the benchmark for a lot of builders and manufacturers.
Note: (RIYL) Recommended If You Like
- Model: 0-28 style
- Year: 1910
- Top: Red spruce
- Back and sides: Brazilian rosewood
- Neck: Cedar
- Total length: 37 3/4
- Body length: 19 1/8
- Upper bout: 9 1/2
- Lower bout 13 1/2
- Depth upper bout: 3 3/8
- Depth lower bout: 4 3/16
- Bridge:Ebony
- Binding: Ivory
- Rosette:Line
- Backstrip:Zig-Zag
- Purfling: Herringbone
- Headstock: Rosewood
- Scale Length: 24.9”
- Nut width: 1 7/8”
- Twelfth fret width:2 5/16”
Here is a 0-28 from the pre-steel string period of the Martin History- just 9 serial numbers away from this 1910 00-28 we profiled earlier. It still retains genuine ivory binding and finer herringbone of the earlier 28 styles but could do with restoration to bring it to playable condition.
Issues:
- Missing frets
- One tuner shaft is bent and the gear has seperated
- Headstock break. with nonprofessional repair
- Two side cracks
- One back crack.
- Centre seam seperation
- Bridge lift with nonprofessional repair
- One missing Bridge Pin.
This is what the prior owner had this to say about this guitar “Here is an early 1910 Vintage Martin Flat Top acoustical guitar; Serial No: 11039, with a Guitar Case that is believed to be the original case. I am no expert on musical instruments so I did some Internet research to better explain this guitar and case for auction.
I was astounded to learn that there is so much history on the maker of this Guitar. For well over a century and a half, The Martin Guitar Company has been continuously producing acoustic instruments that are acknowledged to be the finest in the world.
The Martin Guitar Company has, through the years, managed to survive with each succeeding generation from C. F. Martin, Sr.’s Stauffer influenced creations of the 1830s to recent developments introduced by C. F. Martin IV. Continuous operation under family management is a feat bordering on the remarkable, reflecting six generations of dedication to the guitar maker’s craft.
In or out of the music industry, C. F. Martin has few rivals for sheer staying power. There are a number of repair issues needed to get thin fine instrument in playing condition. The case has a red velvet type liner that shows wear. The outside of the case has three and three latches that still latch well to secure the case closed. There is some minor stitching missing or damaged in some areas. I have tried to show them in the photo’s below. I believe this case it the original case and is a style “C”.”
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So I must not understand, but I love learning. Am I correct to assume that this guitar can be repaired? If so, what would it do to the value of the guitar. Does it go up for then being a playable guitar, or down for having some unoriginal parts? Just asking.
Great site, and great information. Would you like to swap links with our site..Guitar Collecting?
This guitar can definitely be repaired- from the current value it will rise because it is playable but it will not rise to or exceed the value of an entirely original playable guitar!
Besides the dot inlays on the fingerboard, the neck seems wrong. Is there any indication that the peghead to neck joint and the diamond volute that makes it up exists even vestigially? Also I think in 1910 the slots on the peghead were squared off not rounded as seen on this guitar. It may be that somehere along the line the neck was replaced. I make these observations based on the pbotos posted.
Hey robert:
sharp eyes: the dots are definitely not original. I don’t have the guitar in front of me so will need to check with the owner!
Wow, pretty cool website, added it to my feed reader
Thank you!